The quince was a cure-all to the ancients, but in Avshalom Kaveh’s twisted world, the fruit takes sides against our natural capacity to forgive and forget. This tragicomic story of angels and human devilry is Kaveh’s first publication in English. (Translated by Stephen Katz.)
The Anna Davidson Rosenberg Prize for Poetry on the Jewish Experience has been awarded since 1987 and is funded by the Dorothy Sargent Rosenberg Memorial Fund. We are pleased to publish the winning poems here, by Dan Bellm, Jehanne Dubrow, and Anna Torres.
She woke up to a clinking sound like a stuck thought, as if there were some pestering obstacle in a story she wasn’t writing that would work itself out in her sleep if she could pay attention enough.
Summer camps offer brief encounters with utopia. Though usually located somewhere out in the wild, they are constructed, self contained domains, each fostering a worldview of its own. Dedicated to the collective living of an ideal existence, summer camps promote fantasy.“Summer Joins the Past,” Albert J. Winn’s series of photographs of abandoned Jewish summer camps in North America, offers a quiet yet eloquently evocative tour of these places out of time.
It cost me a great effort to discover the hidden secret of the things, but soon I was seized with panic because without my realizing it, I lost the sense of their simplicity.
Nina Shepard had been a Jew for fifteen minutes. She sat at her table at the Ivy and regarded her soft-shell crab.
Kis-Lev’s images depict Jerusalems which have become mundane, detached from heaven, sundered from holiness. Only in such a Jerusalem could mosque, synagogue, and church equally and peaceably divide the horizon.
Israeli critic Sperber’s review illuminates the Jewish turn away from modernism towards a re-imagining of Judaica. He focuses on artists Dov Abramson, Ken Goldman and Arik Weiss.
Daniel Morris, Radical Poetics co-editor, offers Zeek an example of radical poetics.
Radical Poetics co-editor Stephen Paul Miller offers Zeek an example of radical poetics.
A rosh chodesh turns dark when three men break into their campsite and accuse them of witchcraft.
Jill Nathanson explores and updates the tradition of color-based abstraction, while experimenting with the abstract elements within Jewish thought.
Set during the 1920’s-1940’s, Laura Kina’s SUGAR paintings recall obake ghost stories and feature Japanese and Okinawan picture brides turned machete carrying sugar cane plantation field laborers on the Big Island of Hawaii.
We run Maybe this Month, by Jacqueline Nicholls, in Eul because it is a work of outer and inner examination. Nichols’ piece is created from niddah cloths, used by women to check whether they are able to go to the mikveh after their monthly menstrual cycle.
An international artist, Maya has exhibited at the Museum of Art Ein Harod, Israel, Fest Fem in Valparaiso, Chile, at the International Visual Poetry Festival in Venezuala and at the KulturProjekte in Berlin. Her work performs Jewish identity. For updates, see www.mayaescobar begin_of_the_skype_highlighting end_of_the_skype_highlighting begin_of_the_skype_highlighting end_of_the_skype_highlighting.com
![[the current issue of ZEEK]](http://zeek.forward.com/image/2/100/0/5//uploads/zeek-winter10cover-4ccf2baa.jpg)
ZEEK is presented by The Jewish Daily Forward | Maintained by SimonAbramson.com